https://housefortheendoftheworld.com House for the End of the World Wed, 06 May 2026 21:01:59 +0000 https://housefortheendoftheworld.com en https://housefortheendoftheworld.com/HEW Wed, 18 Nov 2020 12:46:04 +0000 House for the End of the World https://housefortheendoftheworld.com/HEW HOUSE FOR THE END OF THE WORLD https://housefortheendoftheworld.com/OVERVIEW Sun, 14 Mar 2021 15:11:40 +0000 House for the End of the World https://housefortheendoftheworld.com/OVERVIEW https://housefortheendoftheworld.com/UPCOMING-WHEN-ONLY-SOLITUDE Wed, 06 May 2026 21:01:59 +0000 House for the End of the World https://housefortheendoftheworld.com/UPCOMING-WHEN-ONLY-SOLITUDE WHEN ONLY SOLITUDE&nbsp;26.06.26-05.09.2026EXILDISCOUNT | MIRIAM DÖRING | ELANA KATZ | JENNY MICHEL | DANIEL M.E. SCHAAL | DARIO SRBIĆHEW at Galerie LUXFER, Czech RepublicIn cooperation with Galerie KWADRAT HEW curated by Elana Katz and Qin YanKWADRAT curated by Martin Kwade (artist list TBA)HEW is pleased to announce it’s first collaboration with Czech contemporary art platform Galerie LUXFER, in a show featuring works by Exildiscount, Miriam Döring, Elana Katz, Jenny Michel, Daniel M.E. Schaal, and Dario Srbić. WHEN ONLY SOLITUDE has been conceived specifically for the remote site of Galerie LUXFER, situated in the countryside of Czech Republic. Its isolation and distance from urban life relate to the topic solitude and this non-urban context also serves as a reflection on contemporary exhibition practices, subtly challenging the “urbanization of art”. Through location, diverse artistic media and HEW’s classic “one artist/ one room” layout, solitude is extended from an abstract feeling into a spatial experience, revealing its dual nature: both a heavy state and a quiet force resisting the noise of the world. Solitude is no longer a symptom to be cured, but a new way of being.In this joint exhibition, HEW artists will occupy and develop site-specific and experimental works in LUXFER’s upper floors, while Galerie KWADRAT presents a group exhibition in the building’s ground floor. Please join us at this new HOUSE FOR THE END OF THE WORLD. GALERIE LUXFER | Maloskalická 40 | 552 03 Česká Skalice | Czech Republic www.kwadrat-berlin.com | www.galerieluxfer.cz <img width="1890" height="1333" width_o="1890" height_o="1333" data-src="https://freight.cargo.site/t/original/i/3071605c0b77968556dcc5f0c2b933fdb084aa1200974b53c393d4210be4b866/WHEN-ONLY-SOLITUDE---HEW-WEB.jpg" data-mid="247965719" border="0" src="https://freight.cargo.site/w/1000/i/3071605c0b77968556dcc5f0c2b933fdb084aa1200974b53c393d4210be4b866/WHEN-ONLY-SOLITUDE---HEW-WEB.jpg" /> &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; https://housefortheendoftheworld.com/PAST-THE-OTHER-ONE-Berlin-Edition Fri, 06 Feb 2026 18:37:41 +0000 House for the End of the World https://housefortheendoftheworld.com/PAST-THE-OTHER-ONE-Berlin-Edition THE OTHER ONE @ KWADRAT14.03.26 - 11.04.26 JOSHUA FINEBERG | ELANA KATZ | DARIO SRBIĆ Opening: 14.03.26, 18:00-21:00 Performance by Elana Katz in cooperation with Dario Srbić: 19:30 <img width="3002" height="1748" width_o="3002" height_o="1748" data-src="https://freight.cargo.site/t/original/i/3cdc767b9ad730db3f3f4d635e239825f50c27d5900af39b6bfdc00bd11ee51b/Screenshot-2026-02-06-at-18.49.30.png" data-mid="244525698" border="0" src="https://freight.cargo.site/w/1000/i/3cdc767b9ad730db3f3f4d635e239825f50c27d5900af39b6bfdc00bd11ee51b/Screenshot-2026-02-06-at-18.49.30.png" />Galerie KWADRAT presents The Other One, a two-part HEW project that premiered at the Goethe-Institut Boston in October 2025. Artists Elana Katz, Dario Srbic and Joshua Fineberg have created new adaptations of their Boston works site-specifically for KWADRAT. Through live performance, AI-driven sculpture, and sound installation, the respective artworks confront the notions of distortion, dependency, and displacement. House for the End of the World (HEW) is a nomadic contemporary art space founded by Elana Katz in Berlin in 2020, in cooperation with Galerie KWADRAT. In its founding context of the pandemic, HEW functioned as a dystopian sanctuary created by artists in surreal and uncertain times. With The Other One, HEW extends its nomadic practice overseas for the first time, linking Boston and Berlin through two site-specific editions. Project Partners: Goethe-Institut Boston, Boston University College of Fine Arts, Schools of Visual Arts and Music, KWADRAT Berlin, HEW, Boston Public Art Triennial. Supported by: Internationaler Koproduktionfonds of Goethe-Institut, Boston University Shipley Center for Digital Learning and Innovation, Boston University Arts Initiative. www.housefortheendoftheworld.com| www.kwadrat-berlin.com Galerie KWADRAT | Reichenbergerstr. 125 | 10999 Berlin&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;<img width="7265" height="4701" width_o="7265" height_o="4701" data-src="https://freight.cargo.site/t/original/i/99d86fa8f8243c797f2d2f2254c279c7b55c931d8622a80fd38be22e591c9759/HEW-logo-BW-SM.jpg" data-mid="244525630" border="0" data-scale="16" src="https://freight.cargo.site/w/1000/i/99d86fa8f8243c797f2d2f2254c279c7b55c931d8622a80fd38be22e591c9759/HEW-logo-BW-SM.jpg" />&nbsp; &nbsp; &nbsp; &nbsp;<img width="3840" height="2668" width_o="3840" height_o="2668" data-src="https://freight.cargo.site/t/original/i/d0708faefe6cbb1164e3f27c5533980ac97d4e8e9d897c4a513fd6806bdfa36d/Boston-Public-Triennial-Logo.png" data-mid="244525631" border="0" data-scale="16" src="https://freight.cargo.site/w/1000/i/d0708faefe6cbb1164e3f27c5533980ac97d4e8e9d897c4a513fd6806bdfa36d/Boston-Public-Triennial-Logo.png" />&nbsp; &nbsp;&nbsp;<img width="1314" height="589" width_o="1314" height_o="589" data-src="https://freight.cargo.site/t/original/i/40d0fffec05d5f27760286c92d74c2f6de8cc7a862ccbf2d57cc3016cccf0876/BOSTON_UNIV_BLACK-web.jpg" data-mid="244525633" border="0" data-scale="23" src="https://freight.cargo.site/w/1000/i/40d0fffec05d5f27760286c92d74c2f6de8cc7a862ccbf2d57cc3016cccf0876/BOSTON_UNIV_BLACK-web.jpg" />&nbsp; &nbsp; &nbsp;<img width="248" height="286" width_o="248" height_o="286" data-src="https://freight.cargo.site/t/original/i/f7fb4a16dc3ee3fade408f284a874c33128c61715aab9b0593233a11e3a30e80/GI.jpg" data-mid="244525634" border="0" data-scale="11" src="https://freight.cargo.site/w/248/i/f7fb4a16dc3ee3fade408f284a874c33128c61715aab9b0593233a11e3a30e80/GI.jpg" /><img width="4000" height="4000" width_o="4000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/229deaef7e4eccb4240ce04f7dbc036b6eaac53fbe829a282ec2339f9c866644/KWADRAT-LOGO.jpg" data-mid="244525635" border="0" data-scale="12" src="https://freight.cargo.site/w/1000/i/229deaef7e4eccb4240ce04f7dbc036b6eaac53fbe829a282ec2339f9c866644/KWADRAT-LOGO.jpg" /> https://housefortheendoftheworld.com/PAST-THE-OTHER-ONE-Boston-Edition Thu, 21 Aug 2025 09:14:10 +0000 House for the End of the World https://housefortheendoftheworld.com/PAST-THE-OTHER-ONE-Boston-Edition THE OTHER ONE10.10.2025 - 14.10.2025 OPENING: October 10, 2025, 6:00 PM - 8:00 PM OPENING PERFORMANCE by Elana Katz in cooperation with Dario Srbić PANEL DISCUSSION and FINISSAGE: October 14, 2025, 7:00 PM Goethe-Institut Boston, 170 Beacon Street, Boston, MA 02116 Exhibition Hours: October 11 - 14, 2025, 12:00 PM - 7:00 PM JOSHUA FINEBERG | ELANA KATZ | DARIO SRBIĆ The Other One is a site-specific performative exhibition by HEW (House for the End of the World), featuring the work of three interdisciplinary artists and presented in October at Goethe Institut Boston and subsequently at Kwadrat Galerie in Berlin, Germany. The project confronts the topics of dependency, displacement, and distortion through live performance, AI-driven sculpture, and sound installation. HEW, a nomadic contemporary art platform founded in Berlin by Elana Katz in 2020, presents its first edition outside of Germany. Through endurance-based performance, Katz's work activates the space and triggers Dario Srbić's AI-driven 3D printer —&nbsp; a non-human performer translating her ephemeral gestures into sculptural artifacts. Joshua Fineberg's spatialized sound environment immerses viewers in a visual-sonic experience that induces a sense of disorientation. The core conceptual themes of dependency, displacement, and distortion consider and reshape the notion of perception and interaction, encouraging reflection on shifting histories, the fragility of place, and the transitory nature of belonging.This installation is made possible by generous support from the Internationaler Koproduktionsfonds, Goethe-Institut Boston, HEW (House for the End of the World), KWADRAT Galerie Berlin and Boston University College of Fine Arts School of Music and School of Visual Arts. Project partners: Boston Public Art Triennial, Goethe-Institut Boston, HEW (House for the End of the World), KWADRAT Galerie Berlin, Boston University College of Fine Arts School of Music and School of Visual Arts. Support by: BU Institute for Excellence in Teaching &amp; Learning, BU Office for the Arts, and Goethe-Institut, Internationaler Koproduktionsfonds of Goethe-Institut, Goethe-Institut Boston. <img width="3031" height="2006" width_o="3031" height_o="2006" data-src="https://freight.cargo.site/t/original/i/b5316d7109514b2e62a00d4728d1585a12be5c53da8c3d69599009c04c827c30/promotion_image_flat-sm-WEB2.jpg" data-mid="237297283" border="0" src="https://freight.cargo.site/w/1000/i/b5316d7109514b2e62a00d4728d1585a12be5c53da8c3d69599009c04c827c30/promotion_image_flat-sm-WEB2.jpg" /> www.housefortheendoftheworld.com |&nbsp;www.kwadrat-berlin.com | www.goethe.de | www.thetriennial.org&nbsp; |&nbsp;www.goethe.de/en/kul/foe/int/ikf |&nbsp;www.bu.edu/cfa/visual-arts | www.bu.edu/cfa/music&nbsp; Goethe-Institut Boston, 170 Beacon Street, Boston, MA 02116 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;<img width="7265" height="4701" width_o="7265" height_o="4701" data-src="https://freight.cargo.site/t/original/i/99d86fa8f8243c797f2d2f2254c279c7b55c931d8622a80fd38be22e591c9759/HEW-logo-BW-SM.jpg" data-mid="237954588" border="0" data-scale="16" src="https://freight.cargo.site/w/1000/i/99d86fa8f8243c797f2d2f2254c279c7b55c931d8622a80fd38be22e591c9759/HEW-logo-BW-SM.jpg" />&nbsp; &nbsp; &nbsp; &nbsp;<img width="3840" height="2668" width_o="3840" height_o="2668" data-src="https://freight.cargo.site/t/original/i/d0708faefe6cbb1164e3f27c5533980ac97d4e8e9d897c4a513fd6806bdfa36d/Boston-Public-Triennial-Logo.png" data-mid="237954606" border="0" data-scale="16" src="https://freight.cargo.site/w/1000/i/d0708faefe6cbb1164e3f27c5533980ac97d4e8e9d897c4a513fd6806bdfa36d/Boston-Public-Triennial-Logo.png" />&nbsp; &nbsp;&nbsp;<img width="1314" height="589" width_o="1314" height_o="589" data-src="https://freight.cargo.site/t/original/i/40d0fffec05d5f27760286c92d74c2f6de8cc7a862ccbf2d57cc3016cccf0876/BOSTON_UNIV_BLACK-web.jpg" data-mid="237954632" border="0" data-scale="23" src="https://freight.cargo.site/w/1000/i/40d0fffec05d5f27760286c92d74c2f6de8cc7a862ccbf2d57cc3016cccf0876/BOSTON_UNIV_BLACK-web.jpg" />&nbsp; &nbsp; &nbsp;<img width="248" height="286" width_o="248" height_o="286" data-src="https://freight.cargo.site/t/original/i/f7fb4a16dc3ee3fade408f284a874c33128c61715aab9b0593233a11e3a30e80/GI.jpg" data-mid="237955515" border="0" data-scale="11" src="https://freight.cargo.site/w/248/i/f7fb4a16dc3ee3fade408f284a874c33128c61715aab9b0593233a11e3a30e80/GI.jpg" /><img width="4000" height="4000" width_o="4000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/229deaef7e4eccb4240ce04f7dbc036b6eaac53fbe829a282ec2339f9c866644/KWADRAT-LOGO.jpg" data-mid="237955713" border="0" data-scale="12" src="https://freight.cargo.site/w/1000/i/229deaef7e4eccb4240ce04f7dbc036b6eaac53fbe829a282ec2339f9c866644/KWADRAT-LOGO.jpg" /> https://housefortheendoftheworld.com/PAST-EXIT-IS-NO-OBJECT Mon, 16 Jan 2023 10:42:35 +0000 House for the End of the World https://housefortheendoftheworld.com/PAST-EXIT-IS-NO-OBJECT EXIT IS NO OBJECTHEW @ the Katholische Hochschule für Sozialwesen Berlin-Karlshorst In cooperation with Museum Berlin-Karlshorst &amp; Galerie KWADRAT EXILDISCOUNT | JOSHUA FINEBERG | ELANA KATZ | DARIO SRBIĆ | ACHIM VALBRACHT | TZU-TING WANG |&nbsp;K. YOLAND Opening: Friday April 14th, 18:00 - 21:00&nbsp; 18-19:00 Katholische Hochschule Berlin | 18:30 Performance by Elana Katz 19-21:00 Museum Berlin-Karlshorst&nbsp; Exhibition duration: 14. April - 5. May, 2023 Katholische Hochschule für Sozialwesen Köpenicker Alle 39 - 57 10318 Berlin&nbsp; This HEW exhibition takes place in the historic underground level of the Katholische Hochschule, a space that was partially used as a prison by the Soviet Secret Service (KGB). Selected artists create site-specific artwork in the rooms of the basement, reactivating this historical space which has in recent years had little to no visibility -- through the innovative medium of contemporary art. As a public cannot be granted access to the building’s lower level due to safety regulations (no emergency exit) – the exhibition is viewable only through the use of surveillance cameras. The live surveillance footage is screened on monitors exhibited in the Foyer of KHSB- 1 floor above the physically inaccessible rooms and artworks being watched. Additionally, the artwork of Joshua Fineberg is featured at the Museum of Karlshorst at the exhibition opening on April 14th.&nbsp;This unusual format will create a parallel “watch space” separated from the physically inaccessible rooms and artworks being watched, while the topic of displacement is highly emphasized. The title “Exit is No Object” refers to the focus of the exit in the space’s history and present-day restrictions. The exit as an object of surveillance is an impossibility, as surveillance exits precisely to prohibit the existence of an exit. The conceptual focus of the exhibition will deal precisely with this tension, furthermore considering tools and practices of surveillance as a useful format of communication to reach the otherwise unreachable, as well as a tool of voyeurism. Curated by Elana Katz and Dario Srbić.Surveillance system concept, design, and implementation by Dario Srbić. www.housefortheendoftheworld.com |&nbsp;www.museum-karlshorst.de | www.khsb-berlin.de |&nbsp;www.kwadrat-berlin.com Please consider a contribution to the &nbsp;Exit is No Object crowdfunding campaign <img width="1807" height="1807" width_o="1807" height_o="1807" data-src="https://freight.cargo.site/t/original/i/386c81a27e89bddd6e48bd61c605ba59b4121d3ade473690f54f566ef02160bf/EXIT-IS-NO-OBJECT--HEW1-rgb.jpg" data-mid="175902931" border="0" src="https://freight.cargo.site/w/1000/i/386c81a27e89bddd6e48bd61c605ba59b4121d3ade473690f54f566ef02160bf/EXIT-IS-NO-OBJECT--HEW1-rgb.jpg" /> <img width="1807" height="1807" width_o="1807" height_o="1807" data-src="https://freight.cargo.site/t/original/i/35570697fa2038a6ef3996081dc772ffcf20fb050d5710d1b3474148689eb02e/EXIT-IS-NO-OBJECT--HEW-2-rgb.jpg" data-mid="175903039" border="0" src="https://freight.cargo.site/w/1000/i/35570697fa2038a6ef3996081dc772ffcf20fb050d5710d1b3474148689eb02e/EXIT-IS-NO-OBJECT--HEW-2-rgb.jpg" /> https://housefortheendoftheworld.com/PAST-THIS-ONE-TIME Fri, 25 Jun 2021 22:46:49 +0000 House for the End of the World https://housefortheendoftheworld.com/PAST-THIS-ONE-TIME THIS ONE TIME 11.07.2021 - 14.08.2021 OPENING: Sunday July 11th, 18:00 - 21:00 FINNISAGE: Saturday August 14th. 18:00 - 21:00 &nbsp; Ohaulerstraße 4, 10999 Berlin *HEW 2nd Edition location ANNIKA HIPPLER | ELANA KATZ | TIMO KLOEPPEL | ARIEL REICHMAN | FINJA SANDER + DANIEL M.E. SCHAAL | DARIO SRBIĆ | KARLA SULER &nbsp;HEW opening hours: Thursday – Sunday, 16:00 – 19.00 Please book an appointment @&nbsp;housefortheendoftheworlded@gmail.com With the group exhibition THIS ONE TIME, HEW is pleased to open our new 2nd Edition Berlin location @ Ohlauerstraße 4. HEW exists at locations in transition - spaces with unknown pasts and unknown futures. “This one time…” is a linguistic expression used to recall memory, and likewise this exhibition contemplates layers of time, as well as the impermanence of HEW's one-time occupation of this venue in the summer of 2021. The exhibited works exist in conversation with &lt;the house&gt;. They emphasize references to home in a multiplicity of forms, pertain to dynamics of power, and in so doing bring a disjointed twist to the mundane, the familiar, and provoke questions on the uncertainties of time. Curated by Elana Katz.&nbsp; <img width="1280" height="886" width_o="1280" height_o="886" data-src="https://freight.cargo.site/t/original/i/f918af3f2d3097818177d5fee51bdef77bc8def8ab73c2b7465c7fad1db2e6d5/FinjaSander2021-747.jpeg" data-mid="117621333" border="0" src="https://freight.cargo.site/w/1000/i/f918af3f2d3097818177d5fee51bdef77bc8def8ab73c2b7465c7fad1db2e6d5/FinjaSander2021-747.jpeg" />&lt;INBRUNST&gt;, Finja Sander + Daniel M.E. Schaal/ [acta]ODEM, 2021 / Photo: ©2021 Finja Sander <img width="1280" height="880" width_o="1280" height_o="880" data-src="https://freight.cargo.site/t/original/i/fe3f614f62110b5f3746f913bde5e4a8c86facd648eb7798a4f41a40e43c072b/FinjaSander2021-772.jpeg" data-mid="117620873" border="0" src="https://freight.cargo.site/w/1000/i/fe3f614f62110b5f3746f913bde5e4a8c86facd648eb7798a4f41a40e43c072b/FinjaSander2021-772.jpeg" /> &lt;It Fell Out&gt;, Elana Katz, 2021 + &lt;V.&gt;, Elana Katz, 2019 /&nbsp;Photo: ©2021 Finja Sander <img width="1280" height="854" width_o="1280" height_o="854" data-src="https://freight.cargo.site/t/original/i/63b49dec0d34754f98bb58bbdefeaed21930bd1e58b538268e296e11c3cb613b/FinjaSander2021-780.jpeg" data-mid="117621283" border="0" src="https://freight.cargo.site/w/1000/i/63b49dec0d34754f98bb58bbdefeaed21930bd1e58b538268e296e11c3cb613b/FinjaSander2021-780.jpeg" /> &lt;Wurmloch&gt;,&nbsp;Timo Kloeppel, 2017 /&nbsp;Photo: ©2021 Finja Sander <img width="1280" height="854" width_o="1280" height_o="854" data-src="https://freight.cargo.site/t/original/i/27d23545e1266251164e6dc845d19f88ed7a9f78dd2e9768cbd2e565bc293060/FinjaSander2021-792.jpeg" data-mid="117620819" border="0" src="https://freight.cargo.site/w/1000/i/27d23545e1266251164e6dc845d19f88ed7a9f78dd2e9768cbd2e565bc293060/FinjaSander2021-792.jpeg" />Annika Hippler, Untitled, 2011 / Photo: ©2021 Finja Sander <img width="1280" height="854" width_o="1280" height_o="854" data-src="https://freight.cargo.site/t/original/i/4cc4467fa26d8f1a0b138df6dd57838844d43b2b77b004127980892ba190eae2/FinjaSander2021-800.jpeg" data-mid="117621300" border="0" src="https://freight.cargo.site/w/1000/i/4cc4467fa26d8f1a0b138df6dd57838844d43b2b77b004127980892ba190eae2/FinjaSander2021-800.jpeg" /> &lt;3:3&gt;, Karla Suler, 2021 / Photo: ©2021 Finja Sander Annika Hippler is a visual artist, born, raised and based in Berlin. She&nbsp;works with laser beams to&nbsp;produce hypnotic spatial and visual compositions by examining the painterly qualities of light frequency and wavelength.&nbsp;Hippler‘s work deals with phenomenas of science and astrophysics, the universal perception of space and the transfer of scientific knowledge into an artistic language of light.&nbsp;She studied at the Berlin University of Arts and at the Braunschweig University of Art with John M Armleder amongst others. Her works have been shown in numerous institutions, galleries and museums, including Kunstverein Hannover, Wilhelm Hack Museum, Kunstmuseum Celle, Zverev Center for Contemporary Art in Moscow&nbsp;and at the Contemporary Istanbul art fair. Received stipends and participated in residencies programs in Germany, Austria, Russia, Czech Republic, India and Tunisia. Her light installation „Orbit" was awarded by the ZKM Karlsruhe with the Art Prize "Woven Light“. Her work is currently on view in a solo show at Kunstverein Ingolstadt. www.annika-hippler.net Elana Katz is a conceptual artist working primarily in the medium of performance art. Katz’s work confronts cultural conventions, critically examines the complexity that lies within contradictions, and thus aims to provoke experiences of “unlearning” the assumed. Katz&nbsp;is a recipient of the Franklin Furnace Fund for Performance Art grant (2011), and her interational exhibitions/ performances include the Royal Museum of Fine Arts of Belgium (2011), Diehl CUBE, Berlin (2013), P.P.O.W. Gallery, New York (2013), DNA Berlin (2015), ROCKELMANN&amp;, Berlin (2016 -19), IEEB 7th of Bucharest (2017), Gallery KWADRAT, Berlin (2017-20), DFBRL8R Performance Art Gallery, Chicago (2019), and the Museum of Sundsvall, Sweden (2019-20), where her work has been recently acquired into the museum’s permanent collection. In 2020, in cooperation with Gallery KWADRAT, she founded the Berlin contemporary art space House for the End of the World (HEW), where she curates a program focused on site-specificity. Katz has been based in Berlin since 2008. www.elanakatz.eu Timo Klöppel, born in Berlin in 1981, builds architectural situations that are topoanalytical discussions, studies on the connection between space and soul. His installations question the constructedness of our perception, reverse the usual order of things and disorient us in order to throw us back on our imagination. Its rooms bring gravel into the bedroom, the sea into the kitchen. The non-lockable invades the lockable and vice versa. Everything is in a demonstrated, constant rearrangement. The buildings often move on during the exhibition, change, are taken apart and reconstructed again. The changeability of his work is its real focus, the exhibited work rather as an ephemeral state of an ongoing idea that continues to think. Klöppel uses his installations as concrete opportunities for knowledge and habitable threshold locations between one's own internal states and the external states of the world. www.kwadrat-berlin.com/artists/timokloeppel Ariel Reichman (b. 1979, Johannesburg, South Africa) “The world vibrates in Ariel Reichman’s works. Objects transform into confusing or dismaying feelings. Danger and fascination; desiring and force lie side by side together. But Ariel does not illustrate the surface of a conflict; he proffers no report over it. His work is about human vulnerability as well as of the moment at which the senses of things overwhelm people. In Japanese aesthetics, the term mono-no-aware was shaped: the pathos of things, empathy with them, and the consciousness of their momentariness”. Quote by Hito Steyerl. Reichman&nbsp;has exhibited in KW Institute for Contemporary Art Berlin, Kunstverein In Hamburg, Frieze NY, PSM Berlin, Goodman gallery, Cape Town,Tel Aviv Museum of art, Sommer gallery,Tel Aviv among others. He has a current ongoing outdoor installation at Kunstverein Arnsberg .&nbsp;Upcoming exhibitions include an installation at Bad Gastein in Austria, as well as “MINDBOMS” at Kunsthalle Mannheim. www.arielreichman.com [acta]ODEM is an artistic alliance between Berlin-based artists Finja Sander + Daniel M.E. Schaal. Since 4 years now Sander has established herself as an perfomance artist and has allready showen her work in institutions and galleries like Galerie Burster, C/O Berlin, Museum für Fotografie, Grimm Museum and Hambuger Bahnhof. During the performative acts, Sander understands her own body as material, as an object that reshapes existing structures and images, adds new perspectives and intervenes in found situations. To date, over 27 performative works have been created, which are shown in the form of live performances, short interventions, as well as in photographic / film documentations. Daniel M.E. Schaal tells diverse narratives within different materials and techniques, focused on products and biproducts that are involved into several consumption/industrial processes. He thinks and acts in layers and transcends their rolls and functions. Daniel has exhibited in Germany, France, Denmark and Austria. Institutions and galleries: Torstraße111 (2017), Bar Barbette (2018), uy.studio (2019), Galerie Burster, Galerie Martin Mertens, HB55 (2020), Galerie Friese (2021), Galerie Mathias Mayr (2021) and is represented in several collections (Sascha Dornhöfer, Niklas Bolle). Assuming the differences Sander and Schaal work on a divers narrative that brings together several artistic disciplines and questions the fundamental structures that define the human being and what it is surrounded by. They have allready showen and worked with galleries and institutions like Galerie Burster, PS120 and 48hNeukölln. www.acta-odem.art Dario Srbić, born in the former Yugoslavia, lives in Berlin, Germany and London, UK. Dario started coding as a twelve-year-old and always felt that the machine was not merely executing the code, but also emanating an inexplicable sensuousness. Initially fascinated by the dark arts of algorithmic trading in the business world(s) he transitioned through philosophy into the equally dark sciences of algorithmic art. His current practice examines the embodiment of desire (arousal, pain, excitement) into code and expresses it in artificially (ready)made sculpture and performance. Dario holds an MA in Photography from Central Saint Martins and is currently studying for a practice-led PhD at Royal College of Art supervised by Professor Johnny Golding and Graham Hudson. Dario’s work has been exhibited in Science Museum - London in 2019, Angewandte Innovation Lab - Vienna in 2019, Austrian Cultural Forum - Berlin in 2019, The Victoria &amp; Albert Museum's Digital Futures - London in 2018, Assembly Point and Asylum - London in 2018, MAK Museum - Vienna in 2017, and Seen Fifteen Gallery - London in 2016 amongst others. Dario’s work has been published in numerous publications, his MA thesis published in Journal of Philosophy of Photography, and his video work is held in Ursula Blickle Videoarchive.&nbsp;www.dariosrbic.com Karla Suler is interested in intangible and notional nature of an object or an action; a work that absorbs itself in invisible background process or a series of actions/interventions that might be or might not be accessible to a casual by passer but nevertheless affect or disrupt the continuity of the space even if not experienced or seen. Reflecting on the incidental and repetitive arrangement of such action itself, and a futility of such process that may or may never have its spectator, alternatively finalising itself in the utopian idea of artwork that may never reach its physical existence. Karla holds M.A in Fine Art Education from Academy of Fine Arts in Zagreb. Her works have been exhibited in HDLU Zagreb/, Rijeka, Broadwalk Arts Bristol, Gallery at Willesden Green London, Gallery 10m2/Pierre Curtin Zagreb, o3one Belgrade, Centre for Substructured Loss / Stillpoint Spaces Berlin, among others. Her works have been included in&nbsp;Erste&amp;Steiermärkische Bank&nbsp;and&nbsp;Hypo Alpe Adria&nbsp;Bank collections. https://housefortheendoftheworld.com/PAST-DOWN-TO-EVERYTHING Wed, 18 Nov 2020 13:02:20 +0000 House for the End of the World https://housefortheendoftheworld.com/PAST-DOWN-TO-EVERYTHING DOWN TO EVERYTHING&nbsp; 28.03.2021 - 27.04.2021 By appointment only pls contact housefortheendoftheworld@gmail.com OPENING: Sunday March 28th, 12:00-18:00 + LIVESTREAM EXHIBITION TOUR: March 28th @ 18:00 (Berlin time) via Instagram:&nbsp;@hew_berlin / @kwadratgalerie ELANA KATZ DANIEL M.E. SCHAAL&nbsp; DARIO SRBIC FERNANDA TREVELLIN JULIA WOLFJust a few days after Berlin’s 1st COVID-19 lockdown in March 2020, House for the End of the World opened its first exhibition — via livestream. This project space, a cooperation between Elana Katz and Galerie KWADRAT, has run a program over the past year through all stages of the pandemic,&nbsp; functioning as a dystopian sanctuary for artists in these surreal and uncertain times. In DOWN TO EVERYTHING artists Daniel M.E. Schaal, Dario Srbic, Fernanda Trevellin, Elana Katz and Julia Wolf present work in dialogue with &lt;the house&gt;, pertaining to the action/ notion of the SLICE, in reference to everything, as well as the downfall of everything. This exhibition marks the 1 year anniversary of the opening of House for the End of the World, and is curated by Elana Katz and Dario Srbic. <img width="1670" height="1669" width_o="1670" height_o="1669" data-src="https://freight.cargo.site/t/original/i/30712ec25d17dedb10ed15f769bde9223315886d19db45fe3ba2a976c9843bc0/DOWNTOEVERYTHING_FlyerOption.jpg" data-mid="102599003" border="0" src="https://freight.cargo.site/w/1000/i/30712ec25d17dedb10ed15f769bde9223315886d19db45fe3ba2a976c9843bc0/DOWNTOEVERYTHING_FlyerOption.jpg" /> /About the Artists/ Elana Katz is a conceptual artist working primarily in the medium of performance art. Katz’s work confronts cultural conventions, critically examines the complexity that lies within contradictions, and thus aims to provoke experiences of “unlearning” the assumed. Katz has exhibited/ performed at the Royal Museum of Fine Arts of Belgium (2011), Diehl CUBE, Berlin (2013), P.P.O.W. Gallery, New York (2013), DNA Berlin (2015), ROCKELMANN&amp;, Berlin (2016 -19), IEEB 7th of Bucharest (2017), Gallery KWADRAT, Berlin (2017-20), DFBRL8R Performance Art Gallery, Chicago (2019), and the Museum of Sundsvall, Sweden (2019-20), where her work has been recently acquired into the museum’s permanent collection. In 2020, in cooperation with Gallery KWADRAT, she founded the Berlin contemporary art space House for the End of the World (HEW), where she curates a program focused on site-specificity. Katz has been based in Berlin since 2008. www.elanakatz.eu Daniel M. E. Schaal tells diverse narratives within different materials and techniques, focused on products and biproducts that are involved into several consumption/industrial processes. He thinks and acts in layers and transcends their rolls and functions. He always questions the original purpose of surrounding things and tries to reinvent the main context the used materials and objects are based on. In this approach he investigates the phenomenon, how the smallest things shape the individual and society. Daniel has exhibited in Germany, France and Denmark. Institutions and galleries: Torstraße111 (2017), Bar Barbette (2018), uy.studio (2019), Galerie Burster, Galerie Martin Mertens, HB55 (2020), Galerie Friese (2021) and is represented in several collections (Sascha Dornhöfer, Niklas Bolle). He is also part of ActaODEM and studies at UdK Berlin in the class of Valérie Favre since 2015. www.danielschaal.net&nbsp; &nbsp; Dario Srbic, born in the former Yugoslavia, lives in Berlin, Germany and London, UK. Dario started coding as a twelve-year-old and always felt that the machine was not merely executing the code, but also emanating an inexplicable sensuousness. Initially fascinated by the dark arts of algorithmic trading in the business world(s) he transitioned through philosophy into the equally dark sciences of algorithmic art. His current practice examines the embodiment of desire (arousal, pain, excitement) into code and expresses it in artificially (ready)made sculpture and performance. Dario holds an MA in Photography from Central Saint Martins and is currently studying for a practice-led PhD at Royal College of Art supervised by Professor Johnny Golding and Graham Hudson. Dario’s work has been exhibited in Science Museum - London in 2019, Angewandte Innovation Lab - Vienna in 2019, Austrian Cultural Forum - Berlin in 2019, The Victoria &amp; Albert Museum's Digital Futures - London in 2018, Assembly Point and Asylum - London in 2018, MAK Museum - Vienna in 2017, and Seen Fifteen Gallery - London in 2016 amongst others. Dario’s work has been published in numerous publications, his MA thesis published in Journal of Philosophy of Photography, and his video work is held in Ursula Blickle Videoarchive.&nbsp;www.dariosrbic.com Fernanda Trevellin, originally from São Paulo, Brasil, works on a symbolic and perceptual level through a collection of images and materials: earth, minerals, water, and synthetic resources. All of these components function as a secular iconography, aiming to lead one’s relationship to these cultural and/or natural elements to gain a solemn and primordial meaning. She plays with the notion of feeling her studio to be a laboratory, and an uncertainty of whether she is an artist or a scientist. Trevellin earned a Meisterschülerin title from the University of Arts Berlin, in the class of Olafur Eliasson. She was nominated for the UdK Berlin 2011 Meisterschülerpreise, and continues to work with Eliasson’s UdK-affiliated interdisciplinary project “Institut für Raumexperimente”. Her work has been exhibited at the Central Gallery of São Paulo (2013), Neue National Galerie Berlin (2014) Hamburger Bahnhof Museum of Contemporary Art, Berlin (2017), and Martin-Gropius-Bau Berlin (2018). Trevellin lives and works in Berlin. www.trevellin.com Julia Wolf is a performance/ visual artist who lives and works in Vienna and London. Wolf is a PhD candidate at the Royal College of Art (UK) whose practice engages with choreographic poetics, machinic devices and current philosophical questions about artificial intelligence. Her practice comprehends choreography as a field of relation augmented by algorithmic alliances and concentrates on the contingencies between non/human agents, collective improvisation, and intimacy in the 21st century.&nbsp;Wolf has shown artworks and performed at globally leading cultural institutions, including The Science Museum, London, UK (2019); Independents Biennal, Liverpool, UK (2018); Tbilisi Triennial, Tbilisi, GE (2018); Whitechapel Gallery, London, UK (2017); and Tate Gallery, London, UK (2017). www.juliawolf.online https://housefortheendoftheworld.com/PAST-NULL-PUNKT-NULL-NULL Wed, 18 Nov 2020 13:07:23 +0000 House for the End of the World https://housefortheendoftheworld.com/PAST-NULL-PUNKT-NULL-NULL NULL PUNKT NULL NULL12.06.2020 – 27.06.2020 EXILDISCOUNT ELANA KATZ PHILIP KOJO METZ MARTYNA POZNANSKA LISA STERTZ FERNANDA TREVELLIN Null Punkt Null Null considers the conditions of &lt;0.00&gt; with primarily site-specific works that respond to the space of &lt;the house&gt;, as well as look at actions such as deconditioning, holding, reclaiming, and disturbing. This exhibition is the first to be open to the public, as HEW was launched at the beginning of Berlin’s COVID-19 lockdown (in March 2020). Curated by Elana Katz.&nbsp; <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/a4bf5d413ab830417a89f48d505ba32999aabaa032f2ce0efb0855b3d3a186d5/_MG_5955.JPG" data-mid="101858229" border="0" data-scale="49" src="https://freight.cargo.site/w/1000/i/a4bf5d413ab830417a89f48d505ba32999aabaa032f2ce0efb0855b3d3a186d5/_MG_5955.JPG" />&nbsp; &nbsp;&nbsp;<img width="1200" height="1800" width_o="1200" height_o="1800" data-src="https://freight.cargo.site/t/original/i/629f7d0f135e42440c95387faf36ccc7eb1e941f2bf189b5274b1a9aa782f7bb/_MG_5960.JPG" data-mid="102360314" border="0" data-scale="49" src="https://freight.cargo.site/w/1000/i/629f7d0f135e42440c95387faf36ccc7eb1e941f2bf189b5274b1a9aa782f7bb/_MG_5960.JPG" /> &lt;Friends and Relatives&gt;, Philip Kojo Metz, site-specific installation, 2020. A web of red thread creates obstacles, while visitors are invited to move through the room.&nbsp; <img width="3000" height="1696" width_o="3000" height_o="1696" data-src="https://freight.cargo.site/t/original/i/bfa2ee8df2f64eb40257a4a8207d16db6733c1479d3dac7d588bbbfc87310657/KATZ_ExercisesInDeconditioning_Filmstill2.jpg" data-mid="101858557" border="0" src="https://freight.cargo.site/w/1000/i/bfa2ee8df2f64eb40257a4a8207d16db6733c1479d3dac7d588bbbfc87310657/KATZ_ExercisesInDeconditioning_Filmstill2.jpg" /> &lt;Exercises in Deconditioning&gt;, Elana Katz, video (7:06mins), 2020 <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/740bceee0b555a07ad9cf47bde88b71a684a761c98dc61ec157df67cdf4a1cdb/_MG_5145.jpg" data-mid="101857484" border="0" data-scale="49" src="https://freight.cargo.site/w/1000/i/740bceee0b555a07ad9cf47bde88b71a684a761c98dc61ec157df67cdf4a1cdb/_MG_5145.jpg" />&nbsp;&nbsp; <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/e6d393db6aee89b26af2133a44f9d4ae68fce11baab22b4b85b80f5a17be644c/_MG_5155.jpg" data-mid="102361123" border="0" data-scale="49" src="https://freight.cargo.site/w/1000/i/e6d393db6aee89b26af2133a44f9d4ae68fce11baab22b4b85b80f5a17be644c/_MG_5155.jpg" /> &lt;Hold onto Your Throne We’re Going Down&gt;, Exildiscount, 2020.&nbsp;An interactive sound installation reflecting upon everyday self-espionage and a false sense of shame and security. A contact microphone is attached to the water tank of the toilet. Visitors are invited to sit, listen, question the accuracy or/ and manipulation of the sounds transmitted. <img width="1161" height="1741" width_o="1161" height_o="1741" data-src="https://freight.cargo.site/t/original/i/29f4659b0fb5aa7d18c7b9a25cea945bc3e21d24af39daced934c9e7092e31f6/FE-final.jpg" data-mid="101858065" border="0" data-scale="49" src="https://freight.cargo.site/w/1000/i/29f4659b0fb5aa7d18c7b9a25cea945bc3e21d24af39daced934c9e7092e31f6/FE-final.jpg" />&nbsp; <img width="682" height="1024" width_o="682" height_o="1024" data-src="https://freight.cargo.site/t/original/i/b6ecca3ed41e32819af78ca00ff9b133ae1eba89b86068ce134789a362a32bb6/Inner-Sun-HEW-w-mask.jpg" data-mid="102370875" border="0" data-scale="49" src="https://freight.cargo.site/w/682/i/b6ecca3ed41e32819af78ca00ff9b133ae1eba89b86068ce134789a362a32bb6/Inner-Sun-HEW-w-mask.jpg" /> &lt;Inner Sun&gt;, sculpture made of golden copper from the Berliner Dom,&nbsp;Fernanda Trevellin, 2020. <img width="4997" height="3332" width_o="4997" height_o="3332" data-src="https://freight.cargo.site/t/original/i/57315aafe29cd3aeb18c97b6d0123409c94a75bd004dcc391309ea8b1f62955c/LisaStertz_video.jpg" data-mid="102775174" border="0" src="https://freight.cargo.site/w/1000/i/57315aafe29cd3aeb18c97b6d0123409c94a75bd004dcc391309ea8b1f62955c/LisaStertz_video.jpg" /> &lt;Ich möchte mich an der Sehnsucht stören&gt; (I Want to be Repelled Away from Longing).&nbsp;Lisa Stertz, video, 3.23 mins, 2011 <img width="5442" height="3671" width_o="5442" height_o="3671" data-src="https://freight.cargo.site/t/original/i/7010d105ee840b9f6ebc9756968dd725088fa0f6093a60ab8623e6da35d3a504/Martyna_Poznanska.jpg" data-mid="102774771" border="0" src="https://freight.cargo.site/w/1000/i/7010d105ee840b9f6ebc9756968dd725088fa0f6093a60ab8623e6da35d3a504/Martyna_Poznanska.jpg" /> &lt;I am Here to Reclaim What is Mine, Anyway&gt;, Martyna Poznanska, site-specific installation, 2020 /About the Artists/ Exildiscount is a composer, sound engineer, producer and DJ from Berlin. Whether it is in working alongside video artists or in compiling a techno set, Drew’s work always operates along the same tenets: exploring, challenging and recontextualising the different narratives, disciplines, identities, perspectives and discourses that inform both a work itself as much as our understanding of it. In this, they draw on their formal training as much their biography. Drew studied at Humboldt University of Berlin, majoring in Musicology and Media (Studiengang „Musik und Medien“), and minoring in Cultural Studies. They started DJing in 2003 and have since played at parties across the queer scene of Berlin including House of Red Doors, Gegen and as a longtime resident at SchwuZ.&nbsp; Exildiscount is the sound designer of Elana Katz’s performance film “Running on Empty”(2018), which has been exhibited internationally and recently acquired into the permanent collection of the Museum of Sundsvall, Sweden. Exildiscount’s multifaceted work is driven by a belief in idealism rather than ideologies. www.unboxingshadows.com | www.facebook.com/exildiscountmusic Elana Katz is a conceptual artist working primarily in the medium of performance art. Katz’s work confronts cultural conventions, critically examines the complexity that lies within contradictions, and thus aims to provoke experiences of “unlearning” the assumed. Katz has exhibited/ performed at the Royal Museum of Fine Arts of Belgium (2011), Diehl CUBE, Berlin (2013), P.P.O.W. Gallery, New York (2013), DNA Berlin (2015), ROCKELMANN&amp;, Berlin (2016 -19), IEEB 7th of Bucharest (2017), Gallery KWADRAT, Berlin (2017-20), DFBRL8R Performance Art Gallery, Chicago (2019), and the Museum of Sundsvall, Sweden (2019-20), where her work has been recently acquired into the museum’s permanent collection. In 2020, in cooperation with Gallery KWADRAT, she founded the Berlin contemporary art space House for the End of the World (HEW), where she curates a program focused on site-specificity. Katz has been based in Berlin since 2008. www.elanakatz.eu Philip Kojo Metz is a conceptual artist working with themes related to identity, history, and the relationship of contemporary cultures towards one another. He studied photography and fine arts and earned a Diploma from the Academy of Fine Arts in Munich, in 2005. Metz has received various grants and residencies including Kunstfonds Bonn, DAAD in Brasil, Cité des Arts in Paris, and he had a fellowship at the Visiting Arts Program of the Greatmore Studios in Capetown, South Africa. Since 2011 he has been working on “Eagle Africa”, a body of work that seeks to explore German History on the African continent. The main aim of this endeavor is to bring this topic into public consciousness and to Illustrate the historical traces that might enable us to better understand the events and challenges we meet in the present and future. The most recent of this body of work is a sculpture entitled SORRYFORNOTHING, installed in the Stadtmuseum Berlin at the Humboldt Forum, Berlin. www.philipkojometz.de Martyna Poznańska is a transdisciplinary artist working primarly with multimedia installations. Intrigued by the processes of transformation and decay she has been exploring the symbiotic relations between human and non-human beings during her fieldtrips to the ‘Puszcza Bialowieska’, last primeval forest in Europe, attending to her own body as a connective tissue from within the environment. Poznańska exhibited and performed internationally: at Akademie der Künste (DE), Aperto Raum, (DE), Konsumverein Braunschweig (DE), Unsound Festival (PL), HKAPA (HK), Dance Bridges Festival (Kolkata, IN), Art Sonje Centre (Seoul, KR) and has worked with renowned artists such as Hans Peter Kuhn, or Peter Cusack.Martyna holds a magisterium degree in Spanish Philology (JU, Krakow, 2010), she completed a Sound Art course at the University of the Arts, London and studied with prof. Hans Peter Kuhn at the Universität der Künste Berlin obtaining a Master of Arts title in 2016. Martyna lives and works in Berlin, Białystok and London. www.martynapoznanska.com Lisa Stertz is a German artist and educator. She works in performance, sculpture, installation and video. Through her studies in media, philosophy and art she became both, a savant and a maker. Her own interest in movement-based practices led her to be a sojourner of Butoh, Noguchi-Taiso, Baguazhang, Taiji Quan, and meditation. Her approach in teaching and making is nourished by her masters in the respective fields, namely Yuko Kaseki, Mari Osanai, Yunuen Rhi, Lingji Hon, Ganga Cording, Roberto Sifuentes, Ernesto Pujol and Nikhil Chopra. She studied European Media Studies in Potsdam (MA, 2015), and under a New Artist Society Scholarship and a Fulbright Grant Fine Art Studio: Performance at the School of the Art Institute of Chicago (MFA, 2016). www.lllss.tumblr.com Fernanda Trevellin, originally from São Paulo, Brasil, works on a symbolic and perceptual level through a collection of images and materials: earth, minerals, water, and synthetic resources. All of these components function as a secular iconography, aiming to lead one’s relationship to these cultural and/or natural elements to gain a solemn and primordial meaning. She plays with the notion of feeling her studio to be a laboratory, and an uncertainty of whether she is an artist or a scientist. Trevellin earned a Meisterschülerin title from the University of Arts Berlin, in the class of Olafur Eliasson. She was nominated for the UdK Berlin 2011 Meisterschülerpreise, and continues to work with Eliasson’s UdK-affiliated interdisciplinary project “Institut für Raumexperimente”. Her work has been exhibited at the Central Gallery of São Paulo (2013), Neue National Galerie Berlin (2014) Hamburger Bahnhof Museum of Contemporary Art, Berlin (2017), and Martin-Gropius-Bau Berlin (2018). Trevellin lives and works in Berlin. www.trevellin.com <img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/580be91a59b100cd578eec2c2a6936e17ca1a82c730c4e253eed57e4a076fb93/_MG_5908.JPG" data-mid="101857182" border="0" data-scale="33" src="https://freight.cargo.site/w/1000/i/580be91a59b100cd578eec2c2a6936e17ca1a82c730c4e253eed57e4a076fb93/_MG_5908.JPG" /> © 2020 Elana Katz https://housefortheendoftheworld.com/PAST-HANS-PETER-KUHN-MEHR-LICHT Sat, 13 Mar 2021 06:36:36 +0000 House for the End of the World https://housefortheendoftheworld.com/PAST-HANS-PETER-KUHN-MEHR-LICHT MEHR LICHTHANS PETER KUHN17.11.2020 – 13.12.2020 Livestream Opening: Tuesday 17.11.2020 via Instagram @kwadratgalerie / @hew_berlinwith Hans Peter Kuhn, Elana Katz, and Martin Kwade. Watch livestream here.HEW presents a solo exhibition by Hans Peter Kuhn. Via – sound – video – light – print – Kuhn solitarily&nbsp;occupies &lt;the house&gt;. Curated by Elana Katz. &nbsp; <img width="2789" height="1560" width_o="2789" height_o="1560" data-src="https://freight.cargo.site/t/original/i/a7f18b3aadcabbfce2ecbb19d66e75449be851846212dc165e05836fbac3aabc/Mehr-Licht-HEW-website.jpg" data-mid="101862039" border="0" data-scale="95" src="https://freight.cargo.site/w/1000/i/a7f18b3aadcabbfce2ecbb19d66e75449be851846212dc165e05836fbac3aabc/Mehr-Licht-HEW-website.jpg" />&lt;Mehr Licht&gt;,&nbsp;LED, metal, screen print on glass, Hans Peter Kuhn, 2020 <img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/696ac50441e3ee7f6d42ef23d16ffd00c942eff705a71bd5f603fa2c4c72a270/_MG_6877.jpg" data-mid="102732059" border="0" data-scale="95" src="https://freight.cargo.site/w/1000/i/696ac50441e3ee7f6d42ef23d16ffd00c942eff705a71bd5f603fa2c4c72a270/_MG_6877.jpg" />&nbsp; <img width="2500" height="1738" width_o="2500" height_o="1738" data-src="https://freight.cargo.site/t/original/i/c68ae06b406ff6215e866db1387868e5f3c0a3b1d0f7d7fa794ea84723259c8f/_MG_6882.jpg" data-mid="102732064" border="0" data-scale="95" src="https://freight.cargo.site/w/1000/i/c68ae06b406ff6215e866db1387868e5f3c0a3b1d0f7d7fa794ea84723259c8f/_MG_6882.jpg" />&lt;Steps&gt;, inkjet print on aludibond, loudspeakers, electronics. Hans Peter Kuhn, 2008 <img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/1af0d2285a99e80bfac0ec892d005b5af664d2a24551e415f03679b311da5fe7/_MG_6826.jpg" data-mid="102732047" border="0" data-scale="47" src="https://freight.cargo.site/w/1000/i/1af0d2285a99e80bfac0ec892d005b5af664d2a24551e415f03679b311da5fe7/_MG_6826.jpg" />&nbsp; &nbsp;<img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/94ca811038df54307dfdb41c9f374c4308fb78e20354055ea2472cc94292fc9d/_MG_6812.jpg" data-mid="102732046" border="0" data-scale="47" src="https://freight.cargo.site/w/1000/i/94ca811038df54307dfdb41c9f374c4308fb78e20354055ea2472cc94292fc9d/_MG_6812.jpg" /> &lt;Empty Spaces&gt;, 8 loudspeakers, wood. Hans Peter Kuhn, 2019 Hans Peter Kuhn, composer and artist, lives and works in Berlin and Amino (Kyoto, JP). His light and sound installations are exhibited in many museums and galleries or on public sites worldwide, among others at Museum of Fine Arts Boston, Centre Pompidou Paris, Neue Nationalgalerie Berlin, Seattle Art Museum, Tokushima Modern Art Museum. Internationally acclaimed are Lightinstallations in public places, like: The Pier, New York 1996, A Light and Sound Transit, Leeds (UK) 2009, Vertical Lightfield, Singapore 2009, Acupuncture, Mattress Factory Museum, Pittsburgh (US) 2016, Martin-Gropius-Bau, Berlin (DE) 2017. The installation "Memory Loss" by Robert Wilson and Hans Peter Kuhn was awarded with the Golden Lion in Venice 1993. He worked for theatre with directors like Luc Bondy, Claus Peyman, Peter Zadek, Peter Stein and is best known for the music and sound environments he created in the long term collaboration with Robert Wilson. He composed the music for dances by Laurie Booth, Dana Reitz, Suzushi Hanayagim Sasha Waltz and Junko Wada. For this he received the Bessie Award New York and the Suzukinu Hanayagi Award Osaka. Hearing and listening are the themes of his performances, that are shown worldwide. From 2012 until 2020 he was Guest professor for Sound Studies at the Universität der Künste Berlin. www.hanspeterkuhn.com